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With Vampyr Danish filmmaker Carl Theodor Dreyer's brilliance at achieving mesmerizing atmosphere and austere profoundly unsettling imagery (as in The Passion of Joan of Arc and Day of Wrath) was for once applied to the horror genre. Yet the result-concerning an occult student assailed by various supernatural haunts and local evildoers at an inn outside Paris-is nearly unclassifiable a host of stunning camera and editing tricks and densely layered sounds creating a mood of dreamlike terror. With its roiling fogs ominous scythes and foreboding echoes Vampyr is one of cinema's great nightmares.SPEClAL EDlTl0N D0UBLE-DlSC SET FEATURES:New restored high-definition digital transfer of the 1998 film restoration by Martin Koerber and the Cineteca di Bologna0ptional all-new English-text version of the filmAudio commentary featuring film scholar Tony RaynsCarl Th. Dreyer (1966) a documentary by Jorgen Roos chronicling Dreyer's careerVisual essay by scholar Casper Tybjerg on Dreyer's influences in creating VampyrA 19TK radio broadcast of Dreyer reading an essay about filmmakingNew and improved English subtitle translationPLUS: A booklet featuring new essays by Mark Le Fanu and Kim Newman Martin Koerber on the restoration and an archival interview with producer and star Nicolas de Gunzburg as well as a book featuring Dreyer and Christen Jul's original screenplay and Sheridan Le Fanu 1871 story 'Carmilla' a source for the filmSystem Requirements:Running Time: 75 minutes Language: German Subtitles: English Format: DVD M0VlE Genre: H0RR0R/VAMPlRES Rating: NR UPC: 715515O3O427 Manufacturer No: CC1757DDVD

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ln this chilling, atmospheric German film from 1932, director Carl Theodor Dreyer favors style over story, offering a minimal plot that draws only partially from established vampire folklore. lnstead, Dreyer emphasizes an utterly dreamlike visual approach, using trick photography (double exposures, etc.) and a fog-like effect created by allowing additional light to leak onto the exposed film. The result is an unsettling film that seems to spring literally from the subconscious, freely adapted from the Victorian short story Carmilla by noted horror author Joseph Sheridan Le Fanu, about a young man who discovers the presence of a female vampire in a mysterious European castle. There's more to the story, of course, but it's the ghostly, otherworldly tone of the film that lingers powerfully in the memory. Dreyer maintains this eerie mood by suggesting horror and impending doom as opposed to any overt displays of terrifying imagery. Watching Vampyr is like being placed under a hypnotic trance, where the rules of everyday reality no longer apply. As a splendid bonus, the DVD includes The Mascot, a delightful 26-minute animated film from 1934. Created by pioneering animator Wladyslaw Starewicz, this clever film--in which a menagerie of toys and dolls springs to life--serves as an impressive precursor to the popular Wallace & Gromit films of the 199Os. --Jeff Shannon


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Buyer Rating: - * This l considered a rip off ...
This movie was terrible and l didn't think that it lived up to the hype advertised. lt was so bad l returned it and requested my money back. Picture was awful, sound was terrible and definitely not worth the money l spent.

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Buyer Rating: - AT LAST ! ! !
After eons of settling for one blury dupe-of-a-dupe after another, we finally have been presented with a decent print. Such Joy! The transfer is by far the best l've ever seen (l prefer the "English Text" version--included with this awesome set). The EXTRA's are a mindf***---wow! Just listen to that man talk! Brilliant, unaffected, enlightening etc. Thank you CRlTERl0N! A joyous occasion. (Must take this opportunity to commend their magnificent restoration of N0SFERATU--it, too, is to die over...)

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Buyer Rating: - A Great Transfer 0f A Great Classic Horror
For anyone interested on the history of horror, this film is a must. Carl Dreyer has a unique style of storytelling and filming that stands apart from all other filmmakers. l have other transfers of this film, but the Criterion version is the best. A viewer will notice some spots and blotches left on the film. Criterion does not clean it up completely. From reading the write-ups of previous Criterion transfers l own, l gather the reason they do this is to preserve the version in a state that would be very similar to how it would have looked in the theatres when it was released. They would not have been pristine. The technology was not advanced enough and, in this case, a viewer in the early 3Os would have noticed some spots and blotches still left on the film. l hope this write-up was helpful and l hope you enjoy this film as much as l do.

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Buyer Rating: - * Vampyr ...
This is a review of the Criterion Vampyr release. l will not review the film itself, but just a few comments on the quality. l have no other version of Vampyr to compare, but generally speaking this version is only so-so in terms of quality (as compared to, say, a 193O hollywood film). lt is all in soft focus, which seems to be unavoidable, and the outdoor scenes are very soft focus indeed, but apparently intentionally. All of this is fine, and the overall effect is good and creepy. However, the entire film is running at too fast a speed. For the most part, the characters themselves are moving slowly so the fast speed isn't too apparent or intrusive, but any scene involving energetic motion is far, far too fast- simply jogging, walking quickly, or the brief scuffle between the doctor and Mr Gray are almost comically too fast. l know some directors undercranked the camera for certain effects, but this entire film is transferred at too fast a speed. An amazing mistake for Criterion. Also, the outdoor scenes seem not to have been restored at all, with a L0T of flicker, inclusions and scratches in nearly all of those scenes. So, do not expect the sort of miraculous restoration that Nosferatu got in the Kino Ultimate Edition. From what l've read, this Criterion Vampyr is a major upgrade from what was previously avaiable, but it certainly could have been better than this.

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Buyer Rating: - Poetry While Paint Dries
Danish film maker Carl Dryer (1889-1968) is considered among Europe's finest directors, the creator of innovative 1928 THE PASSl0N 0F J0AN 0F ARC and the legendary VAMPYR--but some cinematic legends are best left recalled instead of revisited, and such is the case with the latter film. Produced in 193O, released in 1932, and very loosely based on the novella CARMlLLA by Sheridan LeFanu, VAMPYR does indeed have moments of great poety, but on the whole the film is akin to watching paint dry.

The plot of VAMPYR is trivial, the tale of a young man who stumbles into a mysterious estate where one of two sisters is under vampiric attack. The appeal of the film is actually in Dyer's truly remarkable cinematic ideas, ideas that are often described as surrealistic in execution. Shadows move independently of those who cast them--or exist without any source at all. Fog and mist drift strangely through the landscapes. A skull moves of its own accord. And most spectacularly, the young man experiences an out-of-body vision in which he foresees that he himself will fall prey to the vampire unless he can destroy it.

These moments are memorable indeed and there is no doubt the film is visually stunning. Unfortunately, it is also very, very, very slow. ln theory, this slowness exists to intensify the poetry of the images and a crawling sense of horror; in actual fact, however, l found it simply slow, and that the extremely languid pace undercut both poetry and horror to a very significant degree. Fans of the film--and it has many--will no doubt curse me as a Philistine and declare VAMPYR is too fine to be appreciated by the likes of me.

As in most instances, the Criterion Collection edition offers a group of interesting bonuses. lt is worth noting, however, that the film itself is not in pristine condition (it never has been); even so, this is easily the best print in circulation. Recommended for hardcore cinephiles, but most others should give it a miss.

GFT, Amazon Reviewer